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D坂殺人事件

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類(lèi)型: 理論
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《D坂殺人事件》劇情簡(jiǎn)介

《D坂殺人事件》相關(guān)視頻

  • 窺情 1.0 窺情
    窺情
    1984 理論
    簡(jiǎn)介:影片內(nèi)容講述少女波子(徐可纓)搬到一條小村中,一夜她用望遠(yuǎn)鏡窺看鄰近四周聊以自遣時(shí),揭發(fā)一宗命案,但警方調(diào)查過(guò)村內(nèi)居民,包括一富商情婦Rita(鐘楚紅)、郵差(湯鎮(zhèn)業(yè))、紙?jiān)曛骼贤酰ü确澹┘捌淦拮樱ń鹧嗔幔┑热?,揭開(kāi)彼此間錯(cuò)綜復(fù)雜的情欲關(guān)系之同時(shí),最后還是不知誰(shuí)是受害人,誰(shuí)是兇手?
  • 愛(ài)的軀殼 6.0 愛(ài)的軀殼
    愛(ài)的軀殼
    2018 理論
    簡(jiǎn)介:A transplanted American living the boho life, Charlotte Charlie Parks (Nekrasova) glides through Berlin's streets on her bike, clad in stylish items she steals from mall boutiques. Her larcenous method — using a magnet to desensitize security tags — works until it inevitably doesn't. Faced with the possibility of jail time (her I'm a victim of late capitalism defense doesn't fly with the German court), she needs to come up with the euros for a hefty fine. At the same time, she's being considered for a prestigious poetry grant, the prospect of which is more scary than thrilling for her I'll be like a real adult.
  • 竹夫人 7.0 竹夫人
    竹夫人
    0 理論
    簡(jiǎn)介:
  • 女之穴 9.0 女之穴
    女之穴
    2011 理論
    簡(jiǎn)介:《女之穴內(nèi)褲之穴》原作是曾在1979年到1993年連載于月刊偶像雜志《BOMB!》上的由讀者投稿發(fā)表的小說(shuō)。時(shí)隔21年再度被搬上大銀幕,女主角敲定4人女生團(tuán)體“AeLL”成員筱崎愛(ài)。共演陣容包括田之上賢志、山本陽(yáng)一等新生代演員。 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?即將開(kāi)拍的第6部電影版,講述了3名鄉(xiāng)下的高中男生,決定在暑假告別“處男身”,從大城市獨(dú)自一人搬到鄉(xiāng)下居住的女生(筱崎愛(ài)飾),將與這3名男生上演一幕性與青春相互交織的喜劇電影。
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    簡(jiǎn)介:
  • O的故事 9.0 O的故事
    O的故事
    2002 理論
    簡(jiǎn)介:O is a talented photographer in her late twenties with a promising career ahead of her. She is torn, however, between the tasks financial realities are forcing upon her and between her own artistic aims. Encouraged by her boyfriend, Rene, O decides that she should pursue her artistic passion without reservation, setting aside financial realities until she has completed her very beautiful, avant-garde book of original photos. In hopes of enabling O to focus her energies on the book, Rene introduces her to a mysterious benefactor, the wealthy and powerful Sir Stephen. What starts out as a promising arrangement, turns out to be self-destructive for O. She allows outside influences to corrupt her artistic vision, as she is drawn into a seductive world of deceit, power, and eroticism.

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